It’s Scandi time! Mankell’s An Event in Autumn, Indridason’s Reykjavic Nights and BBC4’s Crimes of Passion

This week, I’ve shared my evenings with two of my favourite Scandi authors, Henning Mankell (Sweden) and Arnaldur Indridason (Iceland).

A *beautiful* cover, don’t you think?

Henning Mankell’s An Event in Autumn (trans. by Laurie Thompson/Harvill Secker, 2014) was originally written for a Dutch crime event and adapted for an episode of Kenneth Branagh’s Wallander in 2012. This beautifully packaged work is now published for the first time in English, and in terms of its chronology, is set just before the last novel in the series, The Troubled Man.

The book is described as a novella by the publisher and in accordance with that genre, is a little shorter than a novel. I can’t help wondering if Mankell’s title pays homage to Goethe’s view of the novella as focusing on ‘eine sich ereignete unerhörte Begebenheit’ (literally ‘an unheard of event that has taken place’ or more idiomatically ‘an unprecedented event’). Murder does fit that definition very nicely indeed.

The narrative opens in October 2002. Wallander is about to make an offer on a house when he discovers something dodgy in the garden: a long-ago crime has literally been unearthed and the policeman, with the help of daughter Linda, feels compelled to investigate, in a typically nuanced and engrossing tale. My favourite line: ‘It struck Wallander that nothing could make him as depressed as the sight of old spectacles no one wanted any more’ (p. 51).

Any hopes that more Wallander novels might be forthcoming are dashed in a little afterward by Mankell, so fans of the series had better savour this last work. However, there is an added bonus in the form of an essay by the author entitled ‘How it started, how it finished, and what happened in between’. Lots of lovely insights for the melancholy Ystad detective’s fans.

An Event in Autumn is published by Harvill Secker on 4. September 2014. With thanks to the publisher for sending me a review copy.

As if that wasn’t enough, I then received a copy of Arnaldur Indridason’s Reykjavik Nights in the post (trans. by Victoria Cribb/Harvill Secker, 2014). I’d been hugely looking forward to this prequel to the ‘Murder in Reykjavik’ series and was barely able to put it down: it’s a wonderfully absorbing read that traces Erlendur’s journey from young policeman to detective as he investigates the death of a homeless man and the disappearance of a young woman. Set in 1974, the year Iceland celebrated 1100 years of settlement, we are given new insights into Erlendur’s character and how a traumatic childhood event will shape both his personal life and investigative career.

As was the case with Mankell’s The PyramidReykjavic Nights is a great introduction for new readers to the series. Alternatively, for those of us who have already had the pleasure, it provides a valuable context in which to place the ‘later’ works. Mr. Indridason, if you’re reading this, please do feel free to add some more… Takk fyrir!

Reykjavic Nights is published by Harvill Secker on 18. September 2014. With thanks to the publisher for sending me a review copy. If you’re interested in Icelandic crime, then Iceland Noir, which takes place in Reykjavik from 20-23 November 2014, is also worth checking out.

And finally, some important BBC4 Saturday evening crime news. Today, 30th August 2014, sees the start of a new six-part Swedish series based on the 1950s novels of Maria Lang (the pseudonym of Dagmar Lange, a well known and prodigious crime author). The first episode of Crimes of Passion, entitled ‘Death of a Loved One’ airs at 9.00pm. The BBC4 summary is as follows:

>> Puck Ekstedt is invited by her university tutor to celebrate midsummer at his summer house on a secluded island, together with a group of friends including Einar Bure. Puck and Einar (Eje for short) are secretly courting and he is the reason she accepts the invitation. The summer nights are seductively beautiful until Puck finds one of the female guests murdered. Einar contacts his best friend Christer Wijk, a police inspector, to investigate. In the meantime, they are trapped on the island – and someone among them is a killer. <<

The series has been described as Mad Men meets The Killing. This sounds a bit too good to be true, but I will reserve judgement until this evening. You can see a short clip from the first episode on the BBC4 website.

Dutch Delights

We recently spent ten days in The Netherlands and thoroughly enjoyed our stay in Amsterdam and Rotterdam, two very different cities united by their easy-going feel and superb transport systems. Pedestrians, bikes and trams are given just as high a status as cars, and the result is a thoroughly civilized and less polluted urban experience. That and regular portions of apple pie with whipped cream made for a very pleasant trip.

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Classic ‘sit up and beg’ bikes in Amsterdam, which work best on the flat!

While there, I read Herman Koch‘s bestseller The Dinner (Het Diner), which was published in 2009 and has been translated into over twenty languages. It was an interesting reading experience, as the image it presented of Dutch society felt totally at odds with the tolerant and relaxed society I was seeing around me.

The Dinner (trans. by Sam Garrett, Atlantic Books, 2012) depicts the events of one evening, interspersed with flashbacks, during which brothers Paul and Serge Lohman and their wives Claire and Babette meet for a posh dinner in Amsterdam. While seemingly two affluent and civilized couples enjoying gourmet food, the truth is somewhat different: the purpose of their meeting is to discuss how to deal with their teenage sons, who recently committed a shocking crime. No one yet knows the identity of the culprits, and so the question is how to proceed. Needless to say, there is some disagreement among the four, which ends up casting the Dutch middle classes in a rather unfavourable light.

Like the novellas of French author Pascal GarnierThe Dinner reveals the savagery lurking beneath the civilized exterior of polite society, its capacity for violence when threatened, and its willingness to sacrifice others in order to protect its own.  While a targeted critique of Dutch society, the novel also raises plenty of questions about class, parenting, family relations, moral choices, the individual’s capacity for violence, the nature vs nurture debate, and the fragility of liberal values. It’s a compelling and unsettling read.

A Dutch film adaptation of The Dinner appeared in 2013, and Cate Blanchett is set to make her directorial debut with an English-language adaptation soon.

Reading Koch’s work has whetted my appetite for more Dutch crime fiction. In particular, I’ve got my eyes on Harry Mulisch’s The Assault (1985), a hybrid crime novel that explores the repercussions of a resistance assassination in occupied Holland in 1945. (Mulisch is one of The Netherland’s best-known writers and died aged 83 in 2010 – see his obituary here). An excellent CrimeTime overview of Dutch crime fiction has also given me some useful pointers – ‘Crime Scene: The Netherlands’.

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The aforementioned Dutch apple pie, with plenty of cinnamon.