New Welsh noir! Hinterland Series 2

Series 2 of the acclaimed Welsh crime drama Hinterland kicks off on BBC One Wales with four 90-minute episodes from Wednesday, 23rd December at 9.30pm. Viewers outside Wales will be able to watch live on satellite (Sky channel 952 or Freesat 964) and cable (Virgin Media 864).

UPDATE: BBC4 will begin showing Hinterland on Saturday 23 April at 9pm. The 2015 special will be shown first (which is well worth watching), followed by Series 2 (5 programmes in total). Further information is available here: http://www.bbc.co.uk/programmes/b0791w11

See below for an overview of Series 2 and some great insights from Hinterland’s producers/writers and Richard Harrington, who plays DCI Tom Mathias.

hinterland 2

Here’s the BBC overview of Series 2, Episode 1: ‘In this new series, Mathias is under pressure. Meg, his wife, has turned up in Aberystwyth, and he’s under investigation by the IPCC. When a bus driver’s body is found shot on an isolated mountainside, the investigation provides a welcome escape. In his current state of mind, Mathias is fascinated by the lifestyle choices of suspect and ex-soldier John Bell. He also knows that he cannot avoid Meg for much longer.’

And rejoice! Here’s an absolutely wonderful two-minute sneak preview from Series 2, Episode 1… Just click on the image below.

Season 2 Episode 1 clip

Now for an (almost exclusive) extra:

I had the good fortune to attend a TOP-SECRET Hinterland press briefing in Cardiff, at which Richard Harrington (Tom Mathias) spoke about the making of series 2, along with its Fiction Factory co-creators, producers and writers Ed Thomas, Ed Talfan and Gethyn Scourfield. They had some very interesting things to say about DCI Mathias, the series’ Welshness and international success, and the musical adventures of Hinterband… 

Richard Harrington told us about the challenges of playing the troubled Mathias in series 2, as more of his backstory is revealed. He was aware that some viewers felt frustrated at not knowing more about Mathias by the end of the first series, but didn’t feel it was a bad thing to keep the audience waiting a little. Series 2 was all the more exciting due to Mathias’ character development – a ‘seismic shift that changes everything’.

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Mathias in his caravan. They don’t make Harrington live there for the whole shoot…

The producers discussed the Welshness of the series from a number of intriguing angles. The brooding Ceredigion landscapes provide a ‘big space for big stories’. Hinterland is ‘a love letter to a disappearing Wales’ and a ‘distillation’ of a particular regional Welshness, but also a ‘made-up Wales’ that deliberately avoids contemporary political references to remain timeless. Harrington described the famously hostile Welsh weather as having a biblical feel and being an apt metaphor for Mathias’ mind.

Hinterland landscape 2

Close to the edge…

The producers are very proud of the drama’s Welshness. They talked of a Welsh ‘hunger’ for creating and consuming television dramas in both Welsh and English. These provide an opportunity to ‘reflect the Welsh back to themselves’ and to promote Wales to the world, which is a way of ‘helping people to get us better’. When the producers went to France, armed with images of amazing Ceredigion landscapes, they encountered a number of people who knew nothing about Wales, but loved what they saw. The series is shot completely on location in and around Aberystwth, and the producers feel this is key – they can’t imagine filming it in any other way.

Harrington spoke about the challenges of filming in two languages. The series is filmed twice over – once in Welsh for S4C and once in English (with some subtitled Welsh) for the BBC. This is hard work for the actors, who tend to feel more comfortable in one of the languages, and requires flexibility on the part of the writers – for example, they have to find ways around procedural police language that doesn’t work as well in Welsh. But working bilingually is also rewarding, and Harrington says he ‘finds certain emotions in Welsh’ that he doesn’t find in the same way when speaking English.

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Mathias’ colleague DI Mared Rhys, played by Mali Harris

Hinterland/Y Gwyll has been a huge international success. It’s sold to over 30 countries and has been picked up by Netflix. The producers hope this will lead to further success stories for Welsh-made drama, but stressed that understanding the ‘physics of distribution’ is vital. Hinterland is made with investment from S4C, BBC One Wales and other partners, and feel this kind of approach is the way forward. They clearly know what they’re doing, as series 3 has already been commissioned and begins filming in early 2016.

So how do cast and crew relax when they’re not filming? By playing in their very own HinterBAND, with Hannah Daniel (DS Sian Owens) on vocals and Harrington on drums. They’re so good that they headlined the Aberystwyth Carnival in the summer 🙂

There’s a great piece about Hinterband by Kathryn Williams – with photos – on Wales Online here. And here’s the band in action:

Wishing you all a very Merry Christmas – Nadolig Llawen from Wales!

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Jingle bells! Mrs. Peabody’s 2015 Christmas recommendations

Xmas tree

Bookish Christmas cheer! Source: en.webfail.com

Wondering what to get the crime lover in your life for Christmas? Here are Mrs. Peabody’s 2015 recommendations to help you out. As ever, they’re based on my own top reading and viewing experiences throughout the year and are designed to appeal to readers with all manner of criminal tastes. Available from a wonderful independent bookshop near you!

The Truth and other lies

Sascha Arango, The Truth and Other Lies (GERMANY: trans. Imogen Taylor, Simon and Schuster 2015). For lovers of Patricia Highsmith with a contemporary twist. The central protagonist of this standalone crime novel is the novelist Henry Hayden, whose highly successful life begins to unravel when he makes a fatal error one night. Hayden is a darkly comic creation whose story – involving a talented wife, a demanding mistress and a floundering police team – is witty and entertaining. The author is a well-known screenwriter for the German crime series Tatort (Crime Scene) and you can read a bit more about his debut novel here.

Cost

Roberto Costantini, The Deliverance of Evil (ITALY: trans. N. S. Thompson, Quercus, 2014). For lovers of complex crime fiction with strong historical, political and social themes. The first in the Balistreri Trilogy will keep its lucky recipient quiet for hours: a six-hundred page epic that spans twenty-five years of Italian history and tackles weighty issues such as religion, class and the legacy of Italian fascism, this novel is also a gripping murder mystery with an intriguing, morally flawed investigator – Commissario Michele Balistreri. Mrs. Peabody’s full review is available here.

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Eva Dolan, A Long Way Home (UK: Vintage, 2014). For lovers of fabulously well-written social crime novels. This police procedural explores migrant experiences in the UK in a timely and sobering way. Its main investigative protagonists, Detectives Zigic and Ferreira of the Peterborough Hate Crimes Unit – with Serbian and Portuguese heritage respectively – are both extremely well drawn, and the story, which starts with the discovery of a body in a burned-out garden shed, is gripping and believable. The second in the series, Tell No Tales, has also just been published…

Horst

Jørn Lier Horst, The Caveman (NORWAY: trans. Anne Bruce, Sandstone Press 2015). For lovers of top quality Scandinavian police procedurals. The fourth in the Norwegian ‘William Wisting’ series begins with the discovery of a four-month-old corpse in an armchair just down the road from the policeman’s own home. While Wisting investigates, his journalist daughter Line uses the case to ask some serious questions about society. Neither, however, are remotely prepared for where the case will eventually lead them. Elegantly written and completely gripping, this is Scandi crime at its best (and in my view it doesn’t matter where readers dive into the series). Mrs. Peabody’s interview with the author, a former police chief, is available here.

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Val McDermid, Forensics: The Anatomy of Crime (UK: Profile Books, 2015). For those interested in the grittier, scientific side of criminal investigations. Not to be read directly before or after Christmas dinner. This fascinating book, written by crime author Val McDermid, accompanied the Wellcome Trust’s exhibition of the same name earlier this year. Taking us from the crime scene to the courtroom, chapters explore entomology (maggots), toxicology (arsenic most foul), fingerprinting, blood splatter/DNA, facial reconstruction and digital forensics. Grim, but genuinely illuminating, the book also pays homage to the investigators who use science to track down criminals and bring them to justice. Every contact leaves a trace!

Where the Shadows Lie

Michael Ridpath, Where the Shadows Lie (UK/ICELAND: Corvus, 2011). For lovers of Icelandic crime and The Lord of the Rings. I’m late to the party as far as the ‘Fire and Ice’ series is concerned. In this opening novel, readers are introduced to Icelandic-born, Boston-raised homicide detective Magnus Jonson, who is seconded to the Reykjavik Police after getting on the wrong side of a drugs cartel in the States. Soon, he’s busy investigating the rather nasty murder of an Icelandic academic, while getting reacquainted with Icelandic culture and society. A highly enjoyable read that doubles as a great introduction to the land of ‘fire and ice’.

Death on demand

Paul Thomas, Death on Demand (NEW ZEALAND: Bitter Lemon Press 2013 [2012]) For lovers of maverick detectives and astute social commentary. Thomas wrote three novels in the ‘Ihaka’ series back in the 1990s. This later installment was published in 2012 and is often described as one of his best (it works well as a standalone, so having read the previous novels is not a requirement in my view). Highlights include the depiction of Maori policeman Tito Ihaka (‘unkempt, overweight, intemperate, unruly, unorthodox and profane’), an absorbing narrative and an insightful dissection of Auckland society. An extract from the opening is available here.

in bitter chill cover

Sarah Ward, In Bitter Chill (UK: Faber, 2015). For lovers of absorbing, quality British crime fiction. This tremendously polished debut is set in Derbyshire and focuses on an unsolved case from January 1978 – the disappearance of two young girls on their way to school. Only one, Rachel, is found and she has no memory of what happened to her friend. Thirty years on, a suicide triggers a review of the case by the local police team and Rachel finds herself being drawn unwillingly back into the past. With a narrative that moves deftly between past and present, this novel is a compelling read with a great sense of place. A full Mrs. Peabody review is available here.

Lovely Way to Burn

Louise Welsh, A Lovely Way to Burn (UK: John Murray, 2014)For lovers of dystopian or apocalyptic crime fiction. The first in the ‘Plague Times’ trilogy depicts a London engulfed by ‘the Sweats’, a pandemic that’s claiming millions of lives. But when Stephanie (Stevie) Flint discovers the body of her boyfriend, Dr. Simon Sharkey, it looks like a case of foul play. Stevie sets out to find out the truth behind Simon’s death and to survive – not necessarily in that order. An enthralling novel with a great heroine (and travelling by Tube will never be the same again). The second novel in the trilogy, Death is a Welcome Guest, is already out and is another fab read.

River DVD

River (UK: BBC/Arrow Films, 2015). For lovers of quirky TV crime series like Life on Mars. This crime drama, which was written by Abi Morgan and recently aired on BBC One, was an absolute standout for me. It seems to have divided audiences a little – not everyone liked or ‘got’ the concept – but those who did were glued to the screen as police detective John River tried to solve the murder of his partner, Jackie ‘Stevie’ Stevenson, while being helped (or hindered) by a number of ‘manifests’ or visions of the dead. This crime series did something truly original: it explored the effects of a serious mental health crisis with compassion, intelligence and wit. The acting by Stellan Skarsgärd, Nicola Walker and the supporting cast was also top class. For a fuller appreciation, see here. And there’s a great interview with Abi Morgan about the experience of writing River here.

And lastly, on my own personal wishlist from Santa:

La isla minima

The film La Isla Minima or Marshland (SPAIN: Altitude, 2015), which has been called a Spanish True Detective and was the winner of ten Goya awards, including Best Director, Best Original Screenplay and Best Film. Here’s the blurb:

‘Spain’s deep-south, 1980. In a small village a serial killer has caused the disappearance of several adolescents. But when two young sisters vanish during an annual festival, their mother forces an investigation that brings two homicide detectives from Madrid to try to solve the mystery. The detectives are ensnared in a web of intrigue fed by the apathy and introverted nature of the locals. Nothing is what it seems in this isolated region and both men realize they must put aside their professional differences if they are to stop the person responsible.’

There’s a Guardian review of the film here.

Wishing you all a very happy festive season!

Scandi Xmas

Source: littlescandinavian.com