Harri Nykänen, Nights of Awe, translated from the Finnish by Kristian London (London: Bitter Lemon Press, 2012 ). The first in a new series featuring Finnish-Jewish police inspector Ariel Kafka 4 stars
Opening line: Men are born, they live, and they die.
Ariel Kafka, a detective in Helsinki’s Violent Crime Unit and one of only two Jewish policemen in Finland, is called to investigate the deaths of two Arabs in the Linnunlaulu area of the city. As the case unfolds over the Days of Awe, the ten days of repentance leading up to Yom Kippur, Kafka is faced with the unwelcome possibility that the crimes have a Jewish dimension, in the shape of Israeli / Mossad involvement.
The main strength of this Finnish crime novel for me was the wonderfully realised and very likeable investigative figure of Ariel Kafka. Nykänan succeeds in creating a rounded first-person narrator with a distinctive Finnish-Jewish voice (surely a first), which draws entertainingly on the wise-cracking archetype of the hard-boiled detective. The following quote illustrates how nicely these elements are blended together:
‘It wasn’t the first time I had been asked this question [You’re Jewish and you’re a cop?]. People seemed to have a strong belief that Jews have some secret, Old Testament-based motive for not joining the police force. In reality there was only one reason: the lousy pay.’
Nykänen, a former crime journalist, uses the narrative to explore Kafka’s triple identity as Finn/Jew/cop, and the tensions generated when these different elements come into conflict with one another. We’re also given a strong sense of the Jewish community in Helsinki (there are around 1500 Jews currently living in Finland), and its efforts to uphold Jewish traditions. The novel reminded me a little of the Rabbi Small series in its descriptions of Jewish life and religious debates (such as the question of whether women should be accepted as part of the minyan – the quorum necessary to allow public worship). There are also interesting reflections on the way that the legacy of the Holocaust has shaped individuals and families, and the difficulties that ‘diasporic’ Jews have taking a position in relation to the politics and actions of the Israeli state.
Intriguingly, as a Jewish Chronicle article by Jenni Frazer reveals, Nykänen is not himself Jewish, but carried out extensive research for the novel, including discussions with Dennis Paderstein, a Finnish-Jewish chief inspector in Helsinki. The author views the Finnish-Jewish community as being ‘very small, but important’, and in many ways the novel is a celebration of its continued existence.
Less successful, perhaps, is the novel’s rather convoluted plot, which lost me in a number of places as the body count rose, although it did make a kind of sense in the end. In spite of this weakness, I would gladly read others in the series. There are apparently three more (Ariel and the Spiderwoman, Behind God’s Back and Holy Ceremony), which have already been translated into German. Hopefully, more English translations will follow soon.
Mrs. Peabody awards Nights of Awe a slightly flawed but highly entertaining 4 stars.
See also my earlier post on an intriguing trio of Jewish detectives.
Very nice review, Mrs Peabody. I really liked the Jewish aspects to this novel, making him into a double outsider (in Finland at large, where there are so few Jews, and within the community itself, as he didn’t agree with it much of the time). I agree with you that the plot was too OTT but I look forward to reading another in the series.
Thanks, Maxine. Yes, that’s a very nice way of putting it: a double outsider. Kafka’s depiction, both as an individual and in the Finnish / Jewish contexts, was far and away the best thing about the novel – I thought Nykanen pitched his character perfectly.
I’d go along with your review too. I found myself nodding off as the plot thickened. The criminals/terrorists were too sketchy. I like meaty villains,but Ariel intrigues me; with a more straightforward story he could be fascinating.
Thanks, Norma – agree! There was just too much in there, and at least one gratuitous body… Interesting that in spite of this, readers are still keen to read on.
Thanks for reviewing this one Mrs. P. I have it and will read it sometime this year.
Thanks, Keishon. Hope you enjoy and will be interested to see what you think of it.
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The plot was ridiculous – Mossad? In Helsinki? – but I really enjoyed the book anyway. I found the depiction of life as part of a small, almost oppressive Jewish community and the differing demands on one’s energies and time both accurate and entertaining (interspersed with the odd sigh), and I liked the characters. I have finally found an affordable second-hand German copy of the second book (I don’t think books three and four have actually been translated yet), so I’ll see what happens.
Thanks, Lauren. It was a bit barmy, wasn’t it? But like you, I really enjoyed the depiction of the Finnish-Jewish community and Kafka’s rather conflicted relation to it. He was my favourite male detective of the year, which just goes to show that plot isn’t always everything. Let us know how you get on with number 2! I’ll keep an eye out for 3 and 4…
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