Henning Mankell, The Troubled Man, translated from the Swedish by Laurie Thompson (London: Harvill Secker 2011 ). Wallander’s final case, in which he faces his biggest challenge yet 5 stars
Opening sentence: The year Kurt Wallander celebrated his fifty-fifth birthday, he fulfilled a long-held dream.
While at the airport bookshop before going on holiday, I spotted Henning Mankell’s The Troubled Man, a novel I’ve been looking forward to reading for a good year. After a few moments I decided rather regretfully to resist, as I wasn’t sure the Very Last Wallander would make for a cheery holiday read. Later that day, while exploring the hotel, I came across the usual bookshelf of novels left by other holidaymakers. There, but of course, was another copy of The Troubled Man, at which point I gave in, put aside the carefully selected crime novels I’d brought with me and, armed with a hanky, started to read.
Before saying any more I should confess that I am a thoroughly biased reviewer when it comes to this Swedish writer and series. I have loved all the Wallander novels, and it would have taken a complete car-crash of a book for me to rate it anything other than five stars. So a five it is – and in some senses this is a rating for the entire series, which is referenced numerous times in various ways throughout the book.
The first troubled man of the title is Hakan von Enke, a retired Swedish naval official and the father of Linda Wallander’s partner Hans, who disappears into thin air one day while out on his regular walk. Shortly before he vanishes, Hakan voices some concerns to Wallander about an unsettling naval incident that took place in 1982 involving a Russian submarine. Not long afterwards, Hakan’s wife Louise also disappears. To help a distraught Linda and Hans, Wallander begins an unofficial investigation, and uncovers an espionage story that reaches back into the complex history of the Cold War. This forms the central case within the novel, and is an absorbing and well-constructed read (albeit with the odd loose end that’s rather too casually tied up at the end). As ever, Mankell challenges us to question our assumptions, in this case about the dominant historical narrative of the Cold War years – there are a number of enjoyable and unexpected twists that force us to see key events in a whole new light.
The second troubled man, of course, is Kurt Wallander himself, whose personal and working life is overshadowed by a growing anxiety, in spite of the joy that becoming a grandfather brings. Now at the age of sixty, when most people start reflecting on their lives and the choices they have made, Wallander becomes a vehicle for Mankell to explore some very large themes: the value of family ties, the passing of time, the individual’s fear of losing his or her identity and, of course, death. There’s very much a feeling of closing the circle, with a number of references to Rydberg (Wallander’s mentor early in the series), Wallander’s late father (whose relationship with his son was often fraught), Baiba Leipa (his one-time love from The Dogs of Riga), and individuals from past cases (such as the husband of the victim in The White Lioness). For anyone who has travelled with Wallander down the long and winding road of this ten book series, it can’t help but be an absorbing, poignant and moving read.
One final word: if you’ve not yet read the earlier Wallander books, or if there are any in the series that you need to catch up on, I would strongly recommend doing so before embarking on The Troubled Man, which should be read at the end of the sequence as the author intends.
Mrs. Peabody awards The Troubled Man a slightly mournful, but deeply satisfying 5 stars.
Other Mankell/Wallander links you may enjoy
Henning Mankell’s official website
In the Footsteps of Wallander – a PDF guide to the locations featured in the books, films and TV series.
Scandinavian Crime Fiction – a blog that does what it says on the tin.
What a lovely review. I too enjoyed this book very much. Unfortunately (?) I read the Wallander books as they were published and translated in English, in other words, in a silly order and with huge gaps between. So I did not get quite the same sense as you of the culmination to the series, partly due to my memory. At one point I decided to read the whole series again and even bought the Faceless Killers, but I haven’t yet summoned up the energy.
Thanks, Maxine. I came to the series quite late, and *think* I read them more or less in the right order. Re-reading them sounds like a lovely project, though in my case I’d have to leave it a little while – would feel too soon at the moment.
I’m very sad to see Wallander go, but on the other hand, Mankell has finishing the series in way that is fitting, and while the series was still strong. A good move as an author, and very self-disciplined too, as it must be tempting to keep a ‘profitable’ detective going for as long as possible.
wonderful! have yet to read [having only read Laughing Policeman] – and your post has fanned the appetite!
I have added your link to my ‘Wallander’ appreciation posts on my blog:
Thanks very much for the link, Kalpana S, and I’m glad the post has made you keen to read more. It’s a great series.
btw, have added ‘nordic noir’ label on my blog- so easier to find the posts!
Got the chance to see a few days ago the BBC 4 progtamme giving an overview of ‘nordic noir’ [think it was a repeat] and also the Italian [which I haven’t got into- Montablanco?]
Thanks – will come and take a look round soon! Yes, the BBC programmes on ‘noir’ are nice introductions. I’ve read a couple of the Montalbano series – a review of The Terracotta Dog is available here: https://mrspeabodyinvestigates.wordpress.com/2011/05/06/6-andrea-camilleri-the-terracotta-dog/
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