Shining a light on Atlanta’s history: Thomas Mullen’s Darktown (USA)

Thomas Mullen’s Darktown (Abacus, 2016)

First line: It was nearing midnight when one of the new lampposts on Auburn Avenue achieved the unfortunate fate of being the first to be hit by a car.

I had seen Thomas Mullen’s Darktown recommended by a number of bloggers on their ‘Best of 2016’ lists, and snapped up a copy in Foyles a few months ago. It proved to be an excellent, hugely satisfying read.

Set in Atlanta, Georgia in 1948, Darktown is a murder mystery that also explores a key moment in the city’s history: the induction of eight African American police officers into the Atlanta Police Department for the very first time. These pioneers were Claude Dixon, Henry Hooks, Johnnie Jones, Ernest Lyons, Robert McKibbens, John Sanders, Willard Strickland and Willie Elkins (pictured below).

Atlanta’s first African American police officers, April 1948

The new black police officers faced the most difficult of uphill struggles: they were stationed at a YMCA rather than at police headquarters, and were thus effectively segregated from the rest of the force; they were assigned lowly beat duties in ‘Darktown’, as Atlanta’s black neighbourhoods were dismissively termed; they patrolled on foot without access to patrol cars; they were forbidden to arrest white suspects, and had no prospect of promotion. On top of all that, as the novel shows, they had to deal with scepticism from the African American community, whose past experience told it not to trust the police, and racial prejudice from their white police colleagues, who sought to openly disparage and undermine their efforts.

Mullen takes this scenario and breathes life into it quite brilliantly. We are shown how two sets of policemen become caught up in the investigation of a young black woman’s murder – black policemen Lucius Boggs and Tommy Smith, and white policemen Lionel Dunlow and Denny Rakestraw (Rake). Each of their characters is superbly delineated, and they are often used to unsettle stereotypes and easy assumptions: Lucius is the son of the highly respected and relatively affluent Reverend Boggs, and is thus part of an emerging college-educated black middle class. Smith comes from a less affluent background and served in the Second World War, like Rake, whose German mother has also given him some insights into the experience of being an ‘outsider’ in the US. These different personal perspectives create a rich and multifaceted narrative.

Map of central Atlanta, produced for the Armed Forces in 1940. The novel opens on Auburn Avenue (centre right)

The novel is also a stunning portrait of post-war Atlanta, and opened this (privileged white) reader’s eyes to the dangerous and wearing realities of living in a society where racism is deeply ingrained in all areas of life. The power of the narrative lies in its cumulative detail about segregation laws and unwritten rules, such as avoiding eye contact if you happen to be a black person talking to someone who is white. This is a shifting, uncertain world where even acts carried out with good intentions can very quickly backfire. The threat of violence is grimly real, both in particular parts of the city and in the countryside, where racism often takes cruder forms.

Darktown is beautifully written, and still feels acutely relevant today. A TV series with Jamie Foxx as executive producer is in the pipeline, and a second novel, Lightning Men, is out this September.

You can read an extract from Darktown here.

16 thoughts on “Shining a light on Atlanta’s history: Thomas Mullen’s Darktown (USA)

  1. Oh, this sounds great, Mrs. P.! I do like books that look at history as well as tell a good story. And that particular part of history was so monumental, at least in the US. Thanks for sharing.

    • You’re welcome, Margot. It’s a great read, and a very interesting moment of history for a writer to explore (some courage required there as well, given the sensitivities involved). The second novel will be set in 1950, according to the author’s website.

    • It’s all part of my cunning plan, herschelian! I do think you can tell quite a lot about a novel from its opening line, as well 🙂

      Hope you enjoy Darktown when you get to it…

  2. It surprises me that this is the first I have heard of this book. Nevertheless, I am glad to learn of it now. It is the kind of book that is usually difficult for me to read, since I grew up in Birmingham, AL in the 50’s and 60’s. But it sounds well worth reading.

    • Hi Tracy – the novel seems to have been very well received in the U.K. (it was on a number of bloggers’ end of year lists), and I think there was a piece on it in Atlantic magazine (will try to check). If you do decide to read it, I’d be very interested in hearing what you thought of its portrayal of that time.

  3. Sadly, this one sounds like a very relevant book for contemporary events. Luckily, we have books like this one to help us think about what we are still doing wrong. Have a nice summer, Mrs. P. Lots of hugs from Spain.

  4. Pingback: Have yourself a merry little Christmas… Mrs Peabody’s 2017 recommendations | Mrs. Peabody Investigates

  5. Pingback: Going south: Locke’s Bluebird Bluebird (USA), Bottini’s Zen and the Art of Murder (GER), Brynard’s Weeping Waters (South Africa) | Mrs. Peabody Investigates

  6. Pingback: Summer smörgåsbord of international crime | Mrs. Peabody Investigates

Please leave your comment here

Fill in your details below or click an icon to log in: Logo

You are commenting using your account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s

This site uses Akismet to reduce spam. Learn how your comment data is processed.